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Sinopsis de CRAFTING AN INDIGENOUS NATION
In this indepth interdisciplinary study Jenny TonePahHote reveals how Kiowa people drew on the tribes rich history of expressive culture to assert its identity at a time of profound challenge Examining traditional forms such as beadwork metalwork painting and dance TonePahHote argues that their creation and exchange were as significant to the expression of Indigenous identity and sovereignty as formal political engagement and policymaking These cultural forms she argues were sites of contestation as well as affirmation as Kiowa people used them to confront external pressures express national identity and wrestle with changing gender roles and representations Combatting a tendency to view Indigenous cultural production primarily in terms of resistance to settlercolonialism TonePahHote expands existing work on Kiowa culture by focusing on acts of creation and material objects that mattered as much for the nations internal and familial relationships as for relations with those outside the tribe In the end she finds that during a time of political struggle and cultural dislocation at the turn of the twentieth century the communitys performative and expressive acts had much to do with the persistence survival and adaptation of the Kiowa nation
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